![]() ![]() ![]() Imaizumi said in an interview with The Associated Press that he exchanged a few words in Japanese with Qiu whenever he ran into him at the school. Her work has encouraged growing friendships between Japanese and Chinese family members of the graduates.Īmong them is Shigeru Imaizumi, 96, who entered the university the same year as Oka's grandfather, in 1944. Through a graduate-list book and a pile of letters Qiu exchanged with his classmates, she managed to find and meet seven alumni living in Japan. The students lived and studied together in Manchuria under the banner of “the harmony of five ethnicities.”Īmong the university's 1,400 or so graduates were some who played major roles in Asia's rise over the last 80 years, including former South Korean Prime Minister Kang Young-hoon.Įager to learn more about her late grandfather, Qiu Laizhuan, Oka began a documentary project aimed at finding alumni now in their 90s and 100s in Japan. It selected elite male students from Japan, China, Korea, the then-Soviet Union and Mongolia, according to a book by Hideyuki Miura, a reporter for the Asahi Shimbun newspaper. Kenkoku University operated from 1938 to 1945. The university is a unique footnote in the rocky relationship between Japan and China, which are celebrating their 50th anniversary of diplomatic relations this week. It is built on sometimes surprising friendships forged at the Japan-run university, which glorified official notions of pan-Asian harmony even as imperial troops brutalized much of the region. In recent years, the dwindling number of surviving students, their families and those who have researched its history have come to share a sense of cross-national unity. I love this collection because it’s like a mix of Jean Cocteau and La Belle et La Bête.”Ī version of this article first appeared in print in our 2022 Spring Issue under the headline “Surreal Deal.” Subscribe to the magazine.TOKYO (AP) - Growing up, Fumina Oka knew little about the mysterious university her Taiwanese grandfather attended in northern China's Manchuria during Japan’s occupation in the early 20th century.īut as the 28-year-old journalist studied the little-known Kenkoku University, she became fascinated about a place that started out as a grand piece of imperial propaganda meant to celebrate Japan's prewar colonization of large swaths of Asia. “When I do a new collaboration, I make something different from my past and this was something new for me to do something in black and white. “My furniture is very eccentric and very surrealist, but I love to do not do the same thing every time,” says Darré. We kept the monochrome theme, so if you started to mix color with it-for example, chairs with bright-colored covers on them-they would really show up as well.” ![]() I’m really glad we did the vase because that set the tone for the whole range. “We had an open book and could have done anything, but I wanted to guide that to make sure we had a cohesive collection that worked well together. “There was no question of my interfering with Vincent’s creative process he has more creativity in his little finger than most people have in a lifetime,” says Jones. At the onset of the collaboration, Darré was given an open forum to create the pieces, which he first sketched in a Jean Cocteau-esque style. ![]()
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